Major props to @paul_fernley for spotting this gem:
(click to enlarge if you need to!)
In other news, Paul also mentions that today marks the relaunch of BBC Weather online. Cracking timing, lads!
Major props to @paul_fernley for spotting this gem:
(click to enlarge if you need to!)
In other news, Paul also mentions that today marks the relaunch of BBC Weather online. Cracking timing, lads!

The new Panorama homepage launched yesterday — well worth taking a look.
It’s a collection of blogs, audio/video content and trailers for upcoming programmes.
But before you think it’s just another typical BBC programme minisite, check out the episode archive, allowing you to watch all their output from the past 365 days.
For journalists, a highlight from last year’s programming: John Sweeney’s (above) doc about press freedom, or lack thereof, in China. (Oddly, though, John’s doc about Scientology seems to have disappeared. Reason, anyone?)
Please note: Some of the episodes will carry the message “Sorry, this episode is not available online”. Scroll down a bit and you’ll get a delightfully old-skool Windows Media Player link instead.
The Freedom of Information Act is arguably the UK journalist’s biggest asset when it comes to public sector investigation.
As a student, I was often told I should make full use of it whenever I could. To my shame, I rarely did, other than to find out the costs of the University of Lincoln’s Vice-Chancellor’s transport costs. It wasn’t a scoop.
But here’s a brilliant site that not only holds your hand while you make requests, but also shows you the requests of others too. In other words, an absolute goldmine.
Personally, some of the more interesting requests — and answers — came from the BBC and its viewers. A selection:
Response: Please note that your request is outside the scope of the Freedom of Information Act 2000 (“the Act”) but we are happy to provide you with some information on this occasion. The reason that BBC News did not cover the conference is that we weren’t told about it by the party; as you may be aware, the BNP don’t usually tell journalists when or where it will be held. Indeed, on the BNP website the only mention of the annual conference is a report afterwards. The BBC has of course covered the BNP in other circumstances this year.
Request: What percentage of the BBC Licence Tax is spent by BBC employees on illegal drugs?
Response: The BBC has a zero tolerance policy towards illegal drugs and no income from the TV Licence fee
is spent on their purchase.
Response: As part of the BBC-wide ‘Celebrating Success’ scheme, all 290 staff in World Service News & Current
Affairs were awarded £100 in shopping vouchers in July of this year as a reward for outstanding
achievement. This included winning eight prestigious Sony Radio Awards and increasing audience figures by
2 million listeners. The achievement was exceptional as the BBC World Service had previously only won
one gold Sony Award in its 75 year history.The vouchers were funded from the department’s own budget and all staff received the same amount. The
total cost of the reward was £29,000.
I used the site to ask for information that I’ve been curious about for a while too:
Dear Sir or Madam,
I would like to request details of the precise number of refunds
claimed in full by BBC viewers following a) the departure of John
Sergeant and b) The ‘void’ semi-final vote.Yours faithfully,
Dave Lee
What do you think?
On the wall in front of me is a big sign that says ‘LINK!’. Underneath, in brackets, it says “It’s what we do”.
It really is. One of my tasks at the BBC is gathering links about what is being written about the BBC’s internet endeavours and rounding them all up into neat little posts. The result of the linking? We get more readers. Loads more.
Another part of my job is preparing guest posts. Before Christmas, I posted this tutorial by Andy Quested on how to use the HD test screen. Today, a couple of weeks later, the story has gone around the newspapers and blogs. Not sure why it took so long, but there you go.
Anyway, I wanted to share how by not linking, sites can really fail in a basic fundamental of reporting: providing information.
Take the treatment of the story on the Independent.
“The famous BBC test card featuring a girl playing noughts and crosses with a toy clown has made a return to the nation’s television screens.
The image is being broadcast on the BBC’s high definition (HD) channel to help viewers set up their HD TV sets.”
That’s the opening two paras, but that’s the sum of the information given. What channels? What time? How do I use the test screen to fix it? How do I need to know if it needs fixing anyway?
No worry, though, because they can solve all that by linking to our post. We know they have read it — as they’ve lifted quotes directly from it.
But there’s no link.
The Daily Mail does it a little better. They don’t link either, but they at least gave us the chance to add the link into the comments of the story. “Find out how to use the test card here,” wrote my colleague Nick Reynolds. Only problem being that the comment is sat gathering dust in big moderation queue in the sky — and I doubt it’ll see the light of day now. So that’s another failed story that doesn’t offer all the available information to the reader.
Then this blog post turned up. Not only is it the first story (of the ones I’ve seen) which mentions the fact the quotes are from our blog entry, but it’s the only one that provides the link to Andy’s post. The story would be useless without it, after all — but try explaining that logic to the newspapers.
The mentality of the Indy and Mail* is obvious. “Why should we link to our competitors?” they’ll argue. And they’ll agree with themselves, wholeheartedly. “If we link to a story, they’ll leave our site and we’ll lose readers,” they’ll decide, without looking even beginning to consider the facts.
It’s clear that, out of my three examples, the best piece of journalism is from the blog. It provides more information, cites its sources better, and links to the instructions so people can find out how to use the information.
* The ‘Indy and Mail’ sounds like a single newspaper, doesn’t it? Well they are in the same offices now, after all…
Did this one completely pass me by? Noticed tonight that the (rather pants) film ‘What Women Want’ is on BBC iPlayer. They must have done some serious rights wangling to get that one sewn up.
It’s great news, of course: How often do you seen great films on at times that you’re never watching the TV?
More please.
Seems Radio 4 did a 2008 Now Show round up and our ‘quake video was on it.
I’ve been trying (a little) to shake off that video for three reasons. First, I sound a bit drunk. Second, its shoddily shot — but that can be blamed on the previous point, rather than poor video skills. Promise.
Thirdly, and by far the most important, I feel the message portrayed in the video doesn’t adequatly describe how I feel about the situation. It seems I’m annoyed at the BBC for not going big on the earthquake like Sky did. Not so. I’m annoyed because it wasn’t mentioned. Equally, Sky’s coverage was a bit over the top.
(On a side point, Sky made a promotional video using my footage – and I understand they’ve used it to promote their breaking news pedigree. Good — I’m very pleased with that. The key fact here is that Sky gave the public what it needed: information. The BBC lead with deathly silence.)
Luckily, some weeks later, I was given the chance to add to my thoughts on the BBC’s NewsWatch program. Sadly I can’t link — it’s no longer online.
Their defence was not that the BBC was slower, but that as it was early in the morning, the coverage on News 24 was in fact BBC World. And, thus, a minor earthquake is not important in the complete international agenda. Can’t argue with that, can you?
Well yes, I think you can.
Firstly, the first comment made by the BBC anchor was along the lines of “We’re just hearing reports…”. This suggests that it’s the first they new about it and it would also suggest that it hadn’t been held back because it wasn’t in keeping with the international news agenda — the reason given on NewsWatch.
If indeed the BBC knew about the earthquake straight away, why did they wait until an hour later to mention it? Surely this ‘unimportant’ story is even less important an extra hour after it occurred? For me it’s a choice of mention it straight away, or not mention it at all. Everything points to the news team being too slow.
I’m convinced that nobody at News 24 knew about it until the very first moment the anchor mentioned it.
But let’s get back to the BBC’s defence. I can see the logistics (and economics) of simulcasting BBC World and BBC News 24. On a normal night, I don’t have a problem with it. But what happened on earthquake night was a sizable amount of people were awoken from their sleep by a large, continuous thud. My first thoughts were that our stairs — already a bit shaky — had collapsed. My second thought was earthquake. When we went outside, a lady was telling us there’d been a bomb. Another said that the pharmacy they were building down the road had fallen down.
All silly assumptions. The point is, though, that we DIDN’T KNOW WHAT HAPPENED. Yes, it was minor. Yes, by midday the next day, it was nothing more than a nib on the national news. But when it had just happenened, nobody knew what was going on.
Sky News told us. BBC News didn’t. Which provided the better service to the public?
“Minor earthquake in Lincolnshire”…. good, let’s go to bed. That’s how it should have all happened.
The irony of all this is that I now work for the BBC. And it’s no exaggeration to say that I love it. Even in my small role, I’m extremely proud of my contribution to the greatest news-gathering organisation in the world bar none.
Plenty of people have used my video to see it as some sort of ammo to fling at the licence fee. Bunch of fools, I say.
The latest version of BBC iPlayer Desktop has just been released. Maybe that’ll finally get Mac and Linux users off my back
Edit: Lots of people have been saying on Twitter that it doesn’t seem to be working. Apparently, there aren’t many clips that support it at the moment. Try Never Mind the Buzzcocks.
Video Journalism will save newspapers in 2009
January 15th, 2009In the past twelve months we’ve seen the amount of people watching online video go through the roof. But, unlike the YouTube boom that potentially signalled the end for professional journalism (citizen this, citizen that!), this new round of video habits has one crucial factor: length.
The success of the BBC iPlayer has shown that people are prepared to watch video online for a long time. Half an hour or more. And, in the same way the blogs took off once people were used to writing and conversing on the web, I believe that long-form online video will have a similar such boom, where masses consider half an hour spent watching something on their PC a good use of their time.
What’s more, sites such as the brilliant Vimeo show the eagerness of viewers to lap up some full-screen, HD-quality stuff. There’s no sitting around for big downloads, or trying to keep your eyes strained on an awful, grainy clip so tiny you could put a stamp over it.
Video journalism has finally come of age.
As I write this, the Guardian has no less than three pieces of video on its homepage. The NYTimes led with video earlier today — and has a HUGE video section. So too does the Telegraph. Soon, I’ll predict we’ll see video blossoming into the primary content on newspaper sites. Lead headlines always complimented with a video.
Why? Because for the reader, it’s easily digestible, engaging and interesting.
But more importantly, for the publisher, it could prove to be the money-maker they have long been searching for
Many have written about David Carr’s ludicrious statements suggesting an ‘iTunes for news’. Most are saying it’ll never work — and I agree. Why pay to read news on NYTimes, when I can read the same news in the LA Times? Or the Chicago Tribune? Or ANYWHERE?
But wait a second. What if there was a way to make your news better than everyone else? What if there was a way you could cover the same stories, but cover them so well and in such a way that people come flocking to your site; not because they can’t read it in other places, but because they really want to get your coverage.
Video journalism offers this chance. It doesn’t allow for lifted quotes, for recycled copy or for blind churnalism. It promotes good, inventive journalism.
And the reward? Advertising. Loads of it. Think of it like this: When I was in New Zealand, I regularly logged on to the BBC website to catch up. Of course, being abroad, I got BBC.com, the international, advertising-laden edition. When clicking to watch a short (<30 seconds) clip, I was presented with an advert.
I clicked away. The advert was almost as long as the clip.
But on the other hand, when I’m at home, I watch a lot of 4-on-demand, Channel 4’s catch-up service. Before and during the show, there’ll be adverts a plenty. Do I turn away? No! Because in a half an hour show, two minutes of adverts is more than acceptable. Just like in traditional media, it’s all about ratio. 30 min programme = 1 break. 1 hour programme = 3 breaks. A film = 30 minutes of trailers. Or more if you go to Cineworld.
Video journalism finally solves all the problems:
- How to stay unique — no-one has your pictures
- How to save money — no big production projects here, folks. One man, a camera and a laptop
- How to make money — people don’t mind watching adverts when it comes to long content
In time I’ll be posting my plans for how I aim to get stuck in to video journalism. I drawing inspiration from the likes of David Dunkley Gyimah, and hopefully by utilising my job at the BBC as a means for getting training an experience.
Over the next year, me and a friend will be testing the water. Baby steps, if you will, with the aim of selling two pieces of video journalism to the world’s press. Two isn’t a big number, but it idoesn’t make it any less of a task. All in good time.
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Posted in Blogs, Comment, Multimedia, My Work, New Zealand, Newspapers, Social Networking, TV, The BBC, The Future, The Web, video journalism
Tags: 4od BBC iPlayer david dunkley gyimah guardian NYTimes video journalism